A Devil on One Shoulder and an Angel on the Other: The Story by Greg Prato PDF

By Greg Prato

ISBN-10: 0615252397

ISBN-13: 9780615252391

Some of the most tragic tales of the 1990’s rock international used to be that of singer Shannon Hoon, and his band, Blind Melon. regardless of scoring one of many decade’s so much enduring singles and movies, “No Rain,”and a quadruple platinum hit with their 1992 self-titled debut album (in addition to traveling along rock’s largest names), Hoon couldn't conquer a perilous drug habit. basically files right into a promising occupation, Hoon was once useless from an overdose on the age of 28. ‘A satan on One Shoulder and an Angel at the Other’ is the 1st booklet to inform the group’s story—culled from over 50 particular interviews (including the surviving band participants and people closest to the band) and that includes many never-before-seen photographs. “I am commemorated that Greg has painstakingly accounted for what the hell occurred in the course of these loopy occasions. He has summed up the entire chaos, jubilation, and paranoia that's Blind Melon.” -Brad Smith, Blind Melon bassist

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Extra info for A Devil on One Shoulder and an Angel on the Other: The Story of Shannon Hoon and Blind Melon

Sample text

The degree of cortical expansion is directly correlated with vi­ sion. 31 Vision is critical to keeping track of and working with others. But it is hearing, not vision, that is fundamental for music, and so we turn our attention to audition. Hearing and Vocal Expression Auditory sensibility and anatomy underlie hearing and vocaliza­ tion. 34 During musical training, various regions of the brain are re­ cruited across the range of auditory cephalic competence for tim­ ing, pitch, and timbre. 36 Language and tone of voice are early social bonds.

18 Some individuals are better than others at framing events in nu­ merosity. Most people fall within a middle range, with the extreme curves representing the best and the worst. Musical capabilities can be graded along these same curves. As far as we know, how­ ever, this curve of abilities never matches exactly with numerosity. There is no one simple isomorphic relationship between math and music, or between a feel for numbers and a sense for time, at least not one that can be expressed explicitly.

19 Irving Berlin had little schooling, was unable to read music, and had minimal skills in musical virtuosity. Yet, he could write songs that came to define America in the early twentieth century. From “God Bless America” to “The Easter Parade,” his were the songs that linked vaudeville to the shining stages of Broadway. “Two Finger Irving” could belt out these themes through simple songs. 20 Perhaps Berlin was like the classic depiction of the slave who knows geometry, as depicted by Plato in the Meno.

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A Devil on One Shoulder and an Angel on the Other: The Story of Shannon Hoon and Blind Melon by Greg Prato


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